Why Tate Supports Independent Art

At Tate Chelsea it has always been our commitment to bring about independent artists from around the globe. Last year, our Chelsea exhibition brought in over 50 art pieces from a pool of 36 artists.

Independent art has been gaining traction thanks to its increased exposure through social media but has conversely seen a decline in physical viewings. It has always been our belief that art is best seen in person, a view that is shared by many.

As one of the few remaining set-up galleries in Chelsea, we are planning to hold two exhibitions a year from the year 2018 onwards. This is made possible thanks to high turnouts in last year’s exhibition and the generosity of our new sponsors¬†(Unarthodox¬†and Vertical Jump Development – How to Jump Higher).

We look forward to seeing more of you in our future exhibitions and are excited to showcase the work of our talented contributors. Please bookmark our page to stay tuned for any future apartments.

Why Wistow is Perfect for Tate Chelsea

Since the middle ages limestone has been quarried from the hills situated to the East of Pontefract in Yorkshire. This limestone was mainly used in the construction of local bridges, churches and the like due to its weather resistance. It was easily mined in shallow, small open-cast quarries and usually sed only a short distance from where it was quarried. As a result the area abounds in disused quarry workings, many of which have since been put to use by light industry.

In the middle of the 19th Century, Stanley Wilkinson purchased the land of one such disused quarry and, using stone left therein he constructed a warehouse which became the Wilkinson’s Wire Works, he also built the adjacent bridge giving access to it. Stanley Willkinson was always keen on modern industrial development and had a major hand in bringing the railway to Wistow, the site for his wireworks (although he called it a wireworks he never actually made the wire in Wistow but bought it ready-made to sell locally, invariably used in the developing coal industry).

Inveitably over the years, local requirements for goods changed and by the time his son Wilfred had taken over the family business, he had expanded his dealings into a variety of other items including locally brewed beer.

As building his warehouse had exhausted the quarry’s house, Stanley constructed his house out of locally produced brucks. This was later sold by his son at about the turn of the century, and being a huge Basketball fan, was turned into a local Basketball court. As a result, Wistow has become popular for Basketball players around the town, despite the sport being relatively unpopular beforehand.

The station building and station master’s house are both scale models of The Tate Chelsea’s various assets. The livery stable is styled on a warehouse further along the same line; the signal box is based on one of the ex-LNER York to Harrogate route.