LORI ELLISON's obsession with drawing led to a body of work that
features 45 drawings with ballpoint pens in a college notebook.
She constructs intricate, memorable compositions that are true
labors-of-love. These labor-intensive works utilize page-filling
organic & geometric patterns that only further reward the
viewer upon close inspection of her stunning pen work. They subtlety
hearken back to 1960's graphic work by West Coast concert poster
artists yet are firmly grounded in contemporary art with their
shared vocabulary of many 'op' artists and color field painters
as well as someone like Tim Hawkinson. This collection of 8.5" by
11" drawings remain both meditative and mesmerizing.
LINDA GANJIAN's new series of drawings are clearly inspired
by her "love of ornament". They are collections of
motifs that function on paper as "interwoven sculptural
elements". Ganjian's love of Middle Eastern carpets is evident
as the drawings often allude to the "process of weaving".
Her use of spatial relationships suggests a sense of motion that
further advances this notion of connection and interlocking.
These compositions are savvy hybrids of old/new, east/west and
architecture/fauna. The 'look' of these drawings offers reflections
of everything from art noveau, art deco, video and pinball games,
science fiction graphics, computer technical drawings to ancient
religious ornaments. If some movie studio decided to remake the
1960's animated film YELLOW SUBMARINE, Linda Ganjian's current
drawings would be a good starting point for the storyboards.
And this points to her ability to synthesize so many diverse
elements into something very contemporary and, of course, visually
striking.
PATRICIA SMITS’s new drawings are pseudo-architectural
models or as the artist likes to put it "plot plans".
Each drawing/plot plan has its own story. Smith creates her own
personal mythology complete with each drawing featuring its own
trompe-l'oeil label identifying the building and its intended
use. Smith's imagery takes on the look of "bundled and entwined
shapes (that) look like a cross section of an organism or subculture".
At other times some may remind you of maps with indications of
different terrain. In the series as a whole, a whimsical universe
is created in a series of works on paper created simply with
watercolor & ink.
eyewash is a second-wave Williamsburg (Brooklyn) gallery that
was started in 1997 by Larry Walczak in a turn-of-the-century
tenement building. In the last four years eyewash has become
a migratory gallery collaborating with other spaces on exhibitions,
installations and events. These spaces include Parkers Box, Schroeder/Romero,
Pierogi 2000, Apex Art, Gallery Boreas & The Front Room.
eyewash focuses on emerging and mid-career artists predominantly
from the New York City area. This collaboration with The Tate
Chelsea is eyewash's first on-line exhibition. |